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**‘Ordinary Readers’ and Political Uses: Re-Examining Helen Garner’s Non-Fiction Writings about Filicide**

Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century Melbourne

Interview with Andrew Taylor

Some Versions of Manifold: Brisbane and the ‘Myth’ of John Manifold

‘But who considers woman day by day?’: Australian Women Poets and World War I

Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of Remembering

Bodies that Speak: Mediating Female Embodiment in Tim Winton’s Fiction

Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. Akhurst

The Asian Conspiracy: Deploying Voice/Deploying Story

Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice Tawhai

Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*

Kendall’s Views on Contemporary Writers : A Survey of His Correspondence

Review of *Australian Poets* series

The Text of Lawson’s Prose

Coppin - How Great? Alec Bagot’s *Father of the Australian Theatre*

More Substance to Fisher’s Ghost?

The World Outside Time : Slessor’s Five Bells

Thomas Keneally’s ‘Innocent’ Men

Francis Webb’s Challenge to Mid-Century Mythmaking: The Case of Ludwig Leichhardt

Review of *Who Is She? Images of Woman in Australian Fiction', ed. Shirley Walker