Your search for “women’s” found 98 results

The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*

*In the Heart of the Country* and Pain: Re-reading Space, Gender and Affect

Visions of Western Sydney in Howard’s Australia: Luke Carman’s *An Elegant Young Man*, Peter Polites’s *Down the Hume* and Michael Mohammed Ahmad’s *The Lebs*

Irish Republicanism and the Colonial Australian Bushranger Narrative

Introduction: The Uses of Irish-Australian Literature

‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.

‘A recognised trouble-maker wherever he goes’: Narrated Surveillance, Redacted Recognition and the International Reach of ASIO’s Cultural Cold War

‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s Fiction

‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of Anzac

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction

‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp Modernism

Defining the Field of Irish-Australian Literature: Challenges and Conundrums

Textual Encounters of the Bird Kind: Dal Stivens and the Night Parrot

‘It’s Best to Leave This Constructive Ambiguity in Place!’: The Evaluation of Research in Literary Studies

Inscription and the Settler Colony: Theorising Aboriginal Textuality Today

‘Having Fun with the Professors’: Gwen Harwood and Doctor Eisenbart

‘A Message to Humanity on Behalf of the Adult Deaf’: The Protest Writing of John Patrick Bourke