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- Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)Essay18 December 2023
- Authors’ Statements [Kylie Tennant]Essay1 October 1981
- Authors’ Statements [Marjorie Barnard]Essay1 October 1981
- Some of the Ghosts: Growing Up in TasmaniaEssay1 October 1989
- The Poetemics of Oodgeroo of the Tribe NoonuccalEssay1 November 1994
- The Hero’s ‘Fear of Freedom’ in KeneallyEssay1 October 1972
- A SurveyEssay1 October 1977
- Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*Essay1 October 1990
- Friendship in a Time of LonelinessEssay1 May 2009
- Reminiscences of Kenneth Seaforth Mackenzie and E.L. Grant WatsonEssay1 May 1987
- EditorialEssay15 February 2016
- Interview with Hal PorterEssay1 May 1978
- The Language of Music: Helen Garner’s *The Children’s Bach*Essay1 October 1990
- An Interview with Christopher KochEssay1 May 1997
- EditorialEssay1 May 2001
- Fold in the Map: Figuring Modernity in Gail Jones’s *Dreams of Speaking* and Elizabeth Knox’s *Dreamhunter*Essay1 October 2007
- Review of *From Australia with Love: A History of Modern Australian Popular Romance Novels*, by Juliet FleschReview1 May 2005
- Christina Stead: An InterviewEssay1 May 1974
- Henry Lawson and the ‘Pinker of Literary Agents’Essay1 October 2007
- The Drama of the Separate Self in Rae Desmond Jones’ The Mad VibeEssay1 October 1979