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Fathers and Lovers: Three Australian Novels

The Language of Music: Helen Garner’s *The Children’s Bach*

*The Scent of Eucalyptus*: Gothic Autobiography

‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*

Patrick White’s *The Vivisector*: The Artist in Relation to His Art

Don’o Kim

Review of *Preoccupations in Australian Poetry* by Judith Wright

Review of *The Default Country: A Lexical Cartography of Twentieth Century Australia*, by J.M. Arthur

Biopolitics and Eleanor Dark’s *Prelude to Christopher*

Getting Started: The Emergence of Christina Stead’s Early Fiction

‘A Window of Life’: Essays on Ruth Park

‘Down at the Dump’ and Lacan’s Mirror Stage

Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational Rhetoric

Strange Kinships: Embodiment and Belief in J.M. Coetzee’s *Elizabeth Costello*

The Self and the Magic Lantern: Gender and Subjectivity in Australian Colonial Women’s Writing [1992]

Fold in the Map: Figuring Modernity in Gail Jones’s *Dreams of Speaking* and Elizabeth Knox’s *Dreamhunter*

‘In the Hollow of the Heart’: Dorothy Hewett’s Early Imaginative Life

Barbara Baynton: Woman as ‘The Chosen Vessel’

Magda Meets Theodora: Language and Interiority in *The Aunt’s Story* and *In The Heart of the Country*

Revaluing Memoir and Rebuilding Mothership in Maggie Nelson’s *The Argonauts*