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- Bodies that Speak: Mediating Female Embodiment in Tim Winton’s FictionEssay1 June 2012
- Being Out of Time: Animal Gods in Contemporary Extinction FictionsEssay1 June 2010
- ‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance NovelsEssay3 December 2018
- Annual Bibliography of Studies in Australian Literature: 1996Essay1 May 1997
- The Fortunate FlâneuseEssay1 November 2015
- Annual Bibliography of Studies in Australian Literature: 1967Essay1 May 1968
- ‘Preserving the White Race’: Some Australian Women’s Literary Responses to the Great WarEssay1 October 1985
- A Checklist of Australian Literature of the First World WarEssay1 October 1985
- Gender and Genre in Barbara Baynton’s *Human Toll*Essay1 May 1989
- Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*Essay30 June 2015
- Reading the Signs of Michael Wilding’s ‘Knock, Knock’Essay1 June 1991
- The Solitariness of Alex MillerEssay1 May 2004
- ‘Talking with Yagan’s Head’: The Poetry of John MateerEssay1 October 2000
- The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s MovementEssay1 May 2002
- The Great Southern Land: Asian-Australian Women Writers Re-View the Australian LandscapeEssay1 October 2003
- Not Reading the Nation: Australian Readers of the 1890sEssay1 May 2006
- ‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*Essay1 October 2007
- Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*Essay1 October 2008
- Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’Essay1 October 2013