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- Vance and Nettie Palmer: The Literary JournalismEssay1 October 1973
- The Structure of Frederic Manning’s War Novel *Her Privates We*Essay1 October 1974
- A SurveyEssay1 October 1977
- Old Orders, New Lands: The Earth Spirit in Picnic at Hanging RockEssay1 May 1978
- Kate Baker, ‘Standard-Bearer’Essay1 May 1980
- The One-Actor Play in Australian DramaEssay1 May 1981
- Satyrs in the Top Paddock: Metaphysical Pastoral in Australian PoetryEssay1 May 1992
- Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian ExplorationEssay1 October 1992
- Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’Essay1 June 1991
- Feral Symbolists: Robert Adamson, John Tranter, and the Response to RimbaudEssay1 May 1994
- Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and CriticismEssay1 May 1995
- Janette Turner Hospital’s Radical Re-Writing: Oedipal CharadesEssay1 October 1996
- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- A Reconsideration of Christina Stead at Work: Fact into FictionEssay1 May 1997
- ‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth ParkEssay1 May 1996
- ‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul SolangesEssay1 May 1998
- The Artful Man: Theory and Authority in Brian Castro’s FictionEssay1 May 2002
- ‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous MelbourneEssay1 May 2003
- Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial UncannyEssay1 October 2003
- ‘Years Later’: Temporality and Closure in Peter Carey’s NovelsEssay1 October 1999