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- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997
- ‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul SolangesEssay1 May 1998
- Colonial History and Post-Colonial Fiction : The Writing of Thea AstleyEssay1 May 1999
- Writers Behaving Badly: Stead, Bourdieu and Australian Literary CultureEssay1 May 2001
- My Brilliant Career and 1890s GoulburnEssay1 October 2002
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- ‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous MelbourneEssay1 May 2003
- Shopping at Last!: History, Fiction and the Anti-Suburban TraditionEssay1 November 1998
- The Fiction of Gabrielle LordEssay1 October 1999
- Dorothy Hewett’s Faith in DoubtEssay1 May 2001
- Gender and Race Relations in Elizabeth O’Conner’s Northern HomesteadsEssay1 May 2003
- The Literary Reputation of Adam Lindsay GordonEssay1 June 1963
- *Geoffry Hamlyn* and Its Australian SettingEssay1 June 1963
- Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*Essay1 October 2000
- ‘Talking with Yagan’s Head’: The Poetry of John MateerEssay1 October 2000
- The Company She Keeps: Demidenko and Imposture in AutobiographyEssay1 October 2004
- Reading (in/and) *Miranda*Essay1 May 2006
- Mid-Victorian Reading and the AntipodesEssay1 May 2006
- Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War MemorialEssay1 May 2007