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- Gender ButtonsEssay1 November 2009
- Afterword: The Story of a BookmarkEssay1 June 2013
- Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. AkhurstEssay1 October 2011
- Beatrice Davis and ‘The Sacredness of the Printed Word’Essay1 October 2012
- Constructing Cosmopolitanism, Promoting Humanitarianism: The Marvellous Melbourne of E.W. Cole in Lisa Lang’s *Utopian Man* (2010)Essay19 September 2017
- ‘Having Fun with the Professors’: Gwen Harwood and Doctor EisenbartEssay26 February 2017
- Caesura and the Deforming Poem: Rupture as a Space for the OtherEssay23 May 2022
- Textual Encounters of the Bird Kind: Dal Stivens and the Night ParrotEssay18 December 2023
- Simon During, Crisis Talk and the Legacies of the 1980sEssay30 October 2023
- Inscription and the Settler Colony: Theorising Aboriginal Textuality TodayEssay25 May 2024
- Anthologies and the Amazonian Phalanx: Publication of Australian Female Poets from the 1940sEssay25 May 2024
- Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000Essay30 September 2021
- ‘The Kingdom of Dust’: *Voss* as Planetary EpicEssay11 December 2022
- Resisting Productionist Timescapes by Making Better Futures in the Present: Care for Country in Western Sydney LiteraturesEssay25 May 2024
- *The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite WhodunnitEssay19 December 2024
- H. G. Wells in AustraliaEssay30 May 1990
- 'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George JohnstonEssay1 June 2016
- Annual Bibliography of Studies in Australian Literature: 1991Essay1 May 1992