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- Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial RecastingEssay1 May 2005
- Fold in the Map: Figuring Modernity in Gail Jones’s *Dreams of Speaking* and Elizabeth Knox’s *Dreamhunter*Essay1 October 2007
- Mudrooroo: Crafty Imposter or Rebel with a CauseEssay1 October 2004
- Suburban Sonnets: ‘Mrs Harwood’, Miriam Stone and Domestic ModernityEssay1 October 2007
- Bottling the Forbidden Fruit: Marion Halligan’s FictionEssay1 October 2008
- **Wenz Reinvented: The Making and Remaking of a French-Australian Transnational Writer**Essay30 April 2021
- **The Commercial Function of Historical Book Reviews: An Interrogation of the Angus & Robertson Archives**Essay30 April 2021
- Miles Franklin and ‘The Survivors’Essay1 May 2011
- ‘His Grief Is the Plague’ Poetry of Loss and the Risk of Losing One’s ReadersEssay1 November 2013
- Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences FrontierEssay30 October 2023
- 'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George JohnstonEssay1 June 2016
- Henry Lawson: The New Zealand VisitsEssay1 May 1968
- Death and Home-Work: The Origins of Narrative in *The Fortunes of Richard Mahony*Essay1 October 1995
- Gay and Lesbian Writing and Publishing in Australia, 1961-2001Essay1 May 2010
- Aboriginality in *Ethel Turner’s Seven Little Australians* and Its Translation into GermanEssay1 November 2015
- Society and Nature in Such is LifeEssay1 December 1963
- *The Sentimental Bloke* and His CriticsEssay1 December 1964
- History and Fiction in Rolf Boldrewood’s *The Miner’s Right*Essay1 June 1967
- Some Recent Australian Plays, and Problems of Their CriticismEssay1 October 1967
- Slessor’s ‘Five Visions of Captain Cook’Essay1 May 1969