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- ‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian MasqueradeEssay1 May 2000
- Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*Essay1 October 2002
- Society of Women Writers 1925-1935Essay1 May 2004
- ‘In the Hollow of the Heart’: Dorothy Hewett’s Early Imaginative LifeEssay1 May 2009
- Displaying the Monster: Patrick White, Sexuality, CelebrityEssay1 May 2010
- The Time of Biopolitics in the Settler ColonyEssay1 June 2011
- Patrick White, Saul Bellow and the Problem of Literary ValueEssay1 June 2012
- Words, Sticks and Stones: Keneally, Literature and Social ImpactEssay1 November 2013
- ‘The Other Seven Little Australians’: *The Man Who Loved Children* Reads Ethel TurnerEssay1 October 2010
- The Asian Conspiracy: Deploying Voice/Deploying StoryEssay1 October 2010
- Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius BarbeauEssay1 November 2010
- Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’Essay1 November 2013
- The Tennysons in Literary AdelaideEssay31 October 2015
- Constructing Cosmopolitanism, Promoting Humanitarianism: The Marvellous Melbourne of E.W. Cole in Lisa Lang’s *Utopian Man* (2010)Essay19 September 2017
- The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*Essay10 August 2016
- Kendall’s Views on Contemporary Writers : A Survey of His CorrespondenceEssay1 June 1964
- Review of *Australian Poets* seriesReview1 December 1964
- The Author of *The Hibernian Father*: An Early Colonial PlaywrightEssay1 December 1966
- Joseph Furphy, JacobeanEssay1 December 1966
- Australia’s ‘First’ DramatistsEssay1 May 1969