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James Lester Burke, Martin Cash and Frank the Poet

Review of *Too Far Everywhere: The Romantic Heroine in Nineteenth-Century Australia*, *Seeking the Centre: The Australian Desert in Literature, Art and Film*, *The Diaries of Barbara Hanrahan* and *Woman and Herself: A Critical Study of the Works of Barbara Hanrahan*

Australian Literary Lives

Theory as Fireworks: An Interview with Brian Castro

Les Murray’s ‘Narrowspeak’

Henry Kendall’s Religion

*My Brilliant Career*: The Career of the *Career*

How Newness (Not) Comes into the World: Eva Rask Knudsen’s *The Circle and the Spiral*

Letter to the Editor

Displaced Homelands in Gerald Murnane’s *Inland*

Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*

Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* Trilogy

‘Islands, Islands’: An Archipelagic Reading of Ruth Park’s *Fishing in the Styx* (1993)

Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*

Bridging Distances: Ruth Park’s *A Power of Roses* (1953)

Les Murray’s Talking Mosaics

Interview with Kerry Reed-Gilbert

Facey’s A Fortunate Life and Traditional Oral Narratives

*Unspoken Thoughts*: A Reassessment of Ada Cambridge

The Practice of Pastoral Empathy in Wordsworth’s Salisbury Plain Poems