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Sex and the City: New Novels by Women and Middlebrow Culture at Mid-Century

Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*

‘A Message to Humanity on Behalf of the Adult Deaf’: The Protest Writing of John Patrick Bourke

Picturising Patois in *The Sentimental Bloke*

Christina Stead’s Student Publications

Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*

Eurydice’s Curse: J. M. Coetzee and the Prospect of Death

The Communion of Clouds: Becoming-Woman in Coetzee’s *Waiting for the Barbarians*

The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*

The D.H. Lawrence - P.R. Stephensen Letters

Annual Bibliography of Studies in Australian Literature: 1983

Annual Bibliography of Studies in Australian Literature : 1984

Out from the Shadows: The Realist Writers’ Movement, 1944-1970, and Communist Cultural Discourse

Annual Bibliography of Studies in Australian Literature: 1994

Annual Bibliography of Studies in Australian Literature: 2000

Displaced Homelands in Gerald Murnane’s *Inland*

Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*

Visions of Western Sydney in Howard’s Australia: Luke Carman’s *An Elegant Young Man*, Peter Polites’s *Down the Hume* and Michael Mohammed Ahmad’s *The Lebs*

The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*

‘Taking a Risk’: Disability, Prejudice and Advocacy in the Editing and Publishing History of Ruth Park’s *Swords and Crowns and Rings*