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The Craftsmanship of Lawson Revisited

Recoil from Disorder: David Ireland’s *The Chantic Bird*

‘Savage Paradise’: History, Violence and the Family in Some Recent Australian Fiction

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in English

The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*

Italian Immigrants in Australian Fiction 1900-1950

Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*

Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard Lee

Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934

Dramatising the Self: Beverley Farmer’s Fiction

Still Life: Art and Nature in Vivian Smith’s Poetry

A Reconsideration of Christina Stead at Work: Fact into Fiction

Randolph Stow’s *Outrider* and the French Voyager Poem

‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*

‘Roost High and Crow Low’: The Legacy of Barry Andrews

The Artful Man: Theory and Authority in Brian Castro’s Fiction

Criminal Transport: George Barrington and the Colonial Cure

Australian Literature: Points for Departure

The Literary Reputation of Adam Lindsay Gordon