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- The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*Essay1 May 1993
- Interview with Andrew TaylorEssay1 May 2004
- Some Versions of Manifold: Brisbane and the ‘Myth’ of John ManifoldEssay1 October 2003
- Snake Dreaming: The Life-Giving and Life-Taking Powers of the SnakeEssay1 May 2005
- Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and AestheticsEssay1 November 2008
- 'Tipping the Scales': Introduction to Australian Literary Studies Literary Value Special IssueEssay30 October 2023
- When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’Essay3 October 2024
- Literary Aspiration and the Papers of William Gosse HayEssay9 July 2018
- Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)Essay18 December 2023
- Ned Kelly: The Flight of the LegendEssay1 October 1967
- Slessor’s ‘Five Visions of Captain Cook’Essay1 May 1969
- The Prototype of Richard MahonyEssay1 May 1970
- The Development of an Egalitarian Poetics in the Bulletin, 1880-1890Essay1 May 1981
- Miles Franklin on Dearborn Street, Chicago, 1906-15Essay1 May 1982
- A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*Essay1 May 1989
- Marcus Clarke’s *Chidiock Tichbourne*Essay1 October 1974
- Assimilation or Appropriation: Uses of European Literary Forms in Black Australian WritingEssay1 October 1992
- Still Life: Art and Nature in Vivian Smith’s PoetryEssay1 October 1995
- The Fiction of Beverley FarmerEssay1 May 1990
- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997