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- History and Fiction in Rolf Boldrewood’s *The Miner’s Right*Essay1 June 1967
- ‘Colonial Literature for Colonial Readers!’Essay1 October 1971
- The Development of an Egalitarian Poetics in the Bulletin, 1880-1890Essay1 May 1981
- Jack LindsayEssay1 October 1983
- The Traditionalism of James McAuleyEssay1 October 1983
- The Reconstruction of Self: Background and Design in George Johnston’s Meredith TrilogyEssay1 October 1984
- A.D. Hope’s Latter-Day Ulysses: ‘The End of a Journey’ and the Literary BackgroundEssay1 October 1982
- A New Map of Australia: The Plays of David WilliamsonEssay1 May 1984
- From the Sudan to Saigon: A Critical Review of Historical WorksEssay1 October 1985
- Voices in Time: *A Kindness Cup* and *Miss Peabody’s Inheritance*Essay1 October 1986
- John Tranter: Absence in FlightEssay1 October 1986
- The Sites of War in the Fiction of Thomas KeneallyEssay1 October 1986
- Shirley Hazzard: Transit and *The Bay of Noon*Essay1 October 1987
- Family and the Father in the Poetry of Les A. MurrayEssay1 May 1988
- David Malouf’s *Child’s Play* and ‘The Death of the Author’Essay1 May 1988
- Ripping Yarns, Ideology, and *Robbery Under Arms*Essay1 October 1989
- Nationalism before Nationhood: Overseas Horizons in Debates of the 1880sEssay1 October 1990
- Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ NovelEssay1 October 2011
- Nude Bathing Scenes as an Australian Pastoral Mode: Strategies and Tactics in Australian Art around the Turn of the Twentieth CenturyEssay30 June 2015
- ‘Maurice Guest’ and the Siren VoicesEssay1 October 1972