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- Ecopastoralism: Settler Colonial Pastoral Imaginary in the US West and Australian OutbackEssay30 June 2015
- Colonialism, Racial Violence and Loss: *The Chant of Jimmie Blacksmith* and *The Roving Party*Essay30 May 2015
- Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian GrayEssay1 November 2015
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- Themes and Imagery in *Voss* and *Riders in the Chariot*Essay1 June 1964
- *The Sentimental Bloke* and His CriticsEssay1 December 1964
- The Surrender to Truth in The Early Australian NovelEssay1 December 1965
- Folksong - A ProtestEssay1 June 1966
- Henry Kingsley: *Ravenshoe*Essay1 October 1969
- Barbara Baynton: Woman as ‘The Chosen Vessel’Essay1 May 1983
- A New Map of Australia: The Plays of David WilliamsonEssay1 May 1984
- Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*Essay1 May 1986
- John Tranter: Absence in FlightEssay1 October 1986
- A.B. Facey’s Australian AutobiographyEssay1 May 1987
- Family and the Father in the Poetry of Les A. MurrayEssay1 May 1988
- David Malouf’s *Child’s Play* and ‘The Death of the Author’Essay1 May 1988
- A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*Essay1 May 1989
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- Ripping Yarns, Ideology, and *Robbery Under Arms*Essay1 October 1989
- Gender and Genre in Barbara Baynton’s *Human Toll*Essay1 May 1989