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- Amanda Lohrey's *Vertigo*: An Australian PastoralEssay30 June 2015
- Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary NarrativesEssay1 June 2010
- Literary sources of Patrick White’s *Voss:* *A House is Built* and *Think of Stephen*Essay2 May 2023
- **Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**Essay28 October 2021
- Parliamentary Medievalism: The Australian Magna Carta as Secular RelicEssay1 November 2011
- Mary Fortune as Sylphid: ‘blond, and silk, and tulle’Essay1 October 2012
- Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*Essay1 October 2013
- Charles Rowcroft, For ExampleEssay1 June 1966
- ‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*Essay7 December 2016
- The Communion of Clouds: Becoming-Woman in Coetzee’s *Waiting for the Barbarians*Essay25 February 2018
- Kenneth Slessor and the GrotesqueEssay1 December 1964
- Towards a Reassessment of the MSS of Shaw NeilsonEssay1 October 1968
- A Checklist of Kenneth Mackenzie’s WorksEssay1 October 1970
- *His Natural Life* and Its SourcesEssay1 May 1971
- Review of *Henry Lawson, Letters 1890-1922* edited by Colin RoderickReview1 May 1971
- Patrick White’s *The Vivisector*: The Artist in Relation to His ArtEssay1 October 1971
- Further Evidence in the Early Use of ‘bushranger’Essay1 May 1972
- Authors’ Statements [T. A. G. Hungerford]Essay1 October 1981
- Imitations and Versions of Russian Poetry: The Record of an ExperimentEssay1 May 1983
- Review of *Unnatural Lives: Studies in Australian Fiction about the Convicts, from James Tucker to Patrick White* by Laurie HergenhanReview1 May 1984