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- Inner Voices and the First CoilEssay1 October 1979
- Walter Murdoch : ‘A Humble Protest’?Essay1 October 1993
- The Making of Thomas KeneallyEssay30 May 2015
- In Custody: Thomas Keneally and American StoriesEssay30 May 2015
- Colonialism, Racial Violence and Loss: *The Chant of Jimmie Blacksmith* and *The Roving Party*Essay30 May 2015
- The Fortunate FlâneuseEssay1 November 2015
- Society and Nature in Such is LifeEssay1 December 1963
- Louis Stone’s ‘Jonah’ : A Cinematic NovelEssay1 June 1965
- Patrick White’s Four PlaysEssay1 June 1966
- The Surrender to Truth in The Early Australian NovelEssay1 December 1965
- Havelock Ellis’s Australian IdyllEssay1 June 1967
- The Development of an Egalitarian Poetics in the Bulletin, 1880-1890Essay1 May 1981
- A Note on the Reception of Patrick White’s Novels in German Speaking Countries (1957-1979)Essay1 May 1983
- The Reconstruction of Self: Background and Design in George Johnston’s Meredith TrilogyEssay1 October 1984
- Barbara Hanrahan’s NovelsEssay1 May 1983
- A Survey of Australian Utopian and Dystopian FictionEssay1 May 1987
- A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*Essay1 May 1989
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- Ripping Yarns, Ideology, and *Robbery Under Arms*Essay1 October 1989
- Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ NovelEssay1 October 2011