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- Conceptualising Irish-Aboriginal WritingEssay30 September 2021
- The Hero’s ‘Fear of Freedom’ in KeneallyEssay1 October 1972
- War Correspondents in Australian Literature: An OutlineEssay1 October 1985
- Voices in Time: *A Kindness Cup* and *Miss Peabody’s Inheritance*Essay1 October 1986
- The Sites of War in the Fiction of Thomas KeneallyEssay1 October 1986
- ‘White Ravens’ in a World of Violence: German Connections in Thomas Keneally’s FictionEssay1 October 1989
- Alan SeymourEssay1 May 1974
- Recoil from Disorder: David Ireland’s *The Chantic Bird*Essay1 October 1978
- *Capricornia*: Recovering the Imaginative Vision of a Polemical NovelEssay1 May 1981
- Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in EnglishEssay1 June 1991
- Sonnet Sequences in Australia (1832-1990): A Preliminary ChecklistEssay1 October 1993
- ‘Contour-Line by Contour’: Landscape Change as an Index of History in the Poetry of Les MurrayEssay1 May 1994
- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997
- ‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas ShapcottEssay1 May 1997
- ‘Deadly’ Work: Reading the Short Fiction of Archie WellerEssay1 October 1993
- What Can Be Read and What Can Only Be Seen in Tim Winton’s FictionEssay1 October 1996
- Enlarging Our Experiments with Narrative: John A. Scott’s Triology with AnnotationsEssay1 May 1992
- The Solitariness of Alex MillerEssay1 May 2004
- Obscene and Over Here : National Sex and the Love Me Sailor Obscenity TrialEssay1 October 2002
- Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War MemorialEssay1 May 2007