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- Review of *Sumner Locke Elliott: Writing Life. A Biography*, by Sharon Clarke, and *Pioneer Players: The Lives of Louis and Hilda Esson* by Peter FitzpatrickReview1 October 1996
- Review of books by Debra Adelaide, Helen Daniel, Chris Tiffin, Ken Gelder and Paul SalzmanReview1 May 1990
- Patrick White and Murray Bail: Appropriations of ‘The Prodigal Son’Essay1 May 1991
- Henry Handel Richardson Fifty Years OnEssay1 May 1998
- Alan Wearne: InterviewEssay1 November 1998
- Review of *Jean Devanny: Romantic Revolutionary*, by Carole FerrierReview1 October 2000
- Les Murray’s ‘Narrowspeak’Essay1 October 2001
- Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*Essay23 May 2022
- Fantasising the Nation for Child Readers in Early Australian Fairy TalesEssay11 December 2022
- A Versatile Career: Ruth Park’s Novels in the American MarketplaceEssay3 October 2024
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- ‘The Kingdom of Dust’: *Voss* as Planetary EpicEssay11 December 2022
- Aboriginal Women's Life-History Writing, Settler Reading and *Not Just Black and White*Essay11 December 2022
- Place, History and Story: Tony Birch and the Yarra RiverEssay5 May 2016
- ‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short StoriesEssay31 October 2015
- Christina Stead’s Earliest PublicationsEssay7 December 2016
- The Treatment of the Aborigine in Early Australian Fiction, 1840-70Essay1 May 1972
- The Dual Nature of Shaw Neilson’s VisionEssay1 May 1972
- Charles Harpur’s Disfiguring Origins: Allegory in Colonial PoetryEssay1 May 1990
- Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century MelbourneEssay1 May 1996