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‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her Critics

‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas Shapcott

Un-Australian Activities?: Mary Gilmore’s Versions from the Spanish

Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and Letters

Still Life: Art and Nature in Vivian Smith’s Poetry

Ages of Reason: Ethics, Metaphor and the Work of Jennifer Maiden

Helen Garner’s *Monkey Grip*: The Construction of an Author and Her Work

That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*

‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul Solanges

Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard Award

The Artful Man: Theory and Authority in Brian Castro’s Fiction

Cold War, Home Front : Australian Women Writers and Artists in the 1950s

Gender and Race Relations in Elizabeth O’Conner’s Northern Homesteads

In His Own Sweet Time: Carmen’s Coming Out

Australian Literature: Points for Departure

The Literary Reputation of Adam Lindsay Gordon

The Great Southern Land: Asian-Australian Women Writers Re-View the Australian Landscape

Conversations at Rochester Road: Carmel Bird Discusses Her Writing with Shirley Walker

Reading (in/and) *Miranda*

C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval War