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‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*

Judith Wright and Frank Scott: Gendering Modernist Networks in Australia and Canada

Burglary in Shady Hill and Sarsaparilla: The Politics of Conformity in White and Cheever

‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*

Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern Space

Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*

Valerie Solanas and the Limits of Speech

Biopolitics and Eleanor Dark’s *Prelude to Christopher*

On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*

Reading Dickens

The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862

‘A Reading People?’: Global Knowledge Networks and Two Australian Societies of the 1820s

Establishing an Australian/Caribbean Alliance: Stories Passed on by Penny van Toorn and Olive Senior

‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic Primitivism

‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*

Disciplined Action? The Challenges of English at Canterbury and Beyond

Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary Narratives

**Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**

Irish-Australian Literature: Ghosts, Genealogy, Tradition

Mary Fortune as Sylphid: ‘blond, and silk, and tulle’