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‘Talking with Yagan’s Head’: The Poetry of John Mateer

Mid-Victorian Reading and the Antipodes

Reading Kate Llewellyn’s Garden(Books)

C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval War

Future Tense: *Dead Europe* and Viral Anti-Semitism

Of Sages and Sybils: Alec Hope and Judith Wright

Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*

Tainted Testimony : The Khouri Affair

‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*

Judith Wright and Frank Scott: Gendering Modernist Networks in Australia and Canada

Burglary in Shady Hill and Sarsaparilla: The Politics of Conformity in White and Cheever

‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*

Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern Space

Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*

Valerie Solanas and the Limits of Speech

Biopolitics and Eleanor Dark’s *Prelude to Christopher*

On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*

Reading Dickens

The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862

‘A Reading People?’: Global Knowledge Networks and Two Australian Societies of the 1820s