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- The Language of Music: Helen Garner’s *The Children’s Bach*Essay1 October 1990
- A Gendered Bush: Mansfield and Australian Drovers’ WivesEssay1 June 1991
- Oodgeroo in ChinaEssay1 November 1994
- Re-Writing Woman: Genre Politics and Female Identity in Kate Grenville’s *Dreamhouse*Essay1 May 1993
- An Interview with Tim WintonEssay1 October 1996
- Much Ado about Everything: The Melbourne Shakespeare Society 1884-1904Essay1 May 2000
- Les Murray: Watching with His MouthEssay1 October 2001
- The British Tradition in John Morrison’s Radical NationalismEssay1 May 2002
- Reading *My Brilliant Career*Essay1 October 2002
- John Foulcher’s DemocracyEssay1 October 1999
- Roy Bridge’s Fictions of Van Diemen’s LandEssay1 October 2000
- ‘Unrelaxing Fortitude’: Susannah FranklinEssay1 October 2002
- Fold in the Map: Figuring Modernity in Gail Jones’s *Dreams of Speaking* and Elizabeth Knox’s *Dreamhunter*Essay1 October 2007
- Judith Wright and the Temporality of CompositionEssay1 October 2007
- Translating *Fredy Neptune*: Interview with Thomas EichhornEssay1 May 2005
- Suburban Sonnets: ‘Mrs Harwood’, Miriam Stone and Domestic ModernityEssay1 October 2007
- Jolley’s WomenEssay1 May 2009
- ‘His Grief Is the Plague’ Poetry of Loss and the Risk of Losing One’s ReadersEssay1 November 2013
- Christos Tsiolkas and the Pornographic Logic of Commodity CapitalismEssay1 May 2010
- Charismatic Masculinity in David Malouf’s FictionEssay1 May 2010