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- Jack LindsayEssay1 October 1983
- The Traditionalism of James McAuleyEssay1 October 1983
- The Reconstruction of Self: Background and Design in George Johnston’s Meredith TrilogyEssay1 October 1984
- David Campbell’s Poetic MindEssay1 October 1984
- From the Sudan to Saigon: A Critical Review of Historical WorksEssay1 October 1985
- Rolf Boldrewood’s *War to the Knife*: Narrative Form and Ideology in the Historical NovelEssay1 May 1986
- The Sites of War in the Fiction of Thomas KeneallyEssay1 October 1986
- Catherine Martin, Writer: Her Life and IdeasEssay1 October 1987
- A.B. Facey’s Australian AutobiographyEssay1 May 1987
- Biography and Fiction : George Johnston’s Meredith Trilogy and Garry Kinane’s BiographyEssay1 May 1988
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- Olivia and Chloe: Fictions of Female FriendshipEssay1 May 1989
- Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ NovelEssay1 October 2011
- Barry Oakley and the Satiric ModeEssay1 May 1975
- Marcus Clarke and the TheatreEssay1 May 1975
- Centre of Fierceness: Francis Webb’s Vision of the ArtistEssay1 October 1975
- Jindyworobaks and AboriginesEssay1 May 1977
- Annual Bibliography of Studies in Australian Literature: 1976Essay1 May 1977
- Some Mary Gilmore LettersEssay1 October 1972
- Narrative Perspective and Cultural History in *Robbery Under Arms*Essay1 May 1973