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- ‘But who considers woman day by day?’: Australian Women Poets and World War IEssay1 May 2007
- Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*Essay29 October 2020
- Site Unscene: Medial Ideology and the Literary InterfaceEssay19 December 2019
- In Custody: Thomas Keneally and American StoriesEssay30 May 2015
- Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian GrayEssay1 November 2015
- Annual Bibliography of Studies in Australian Literature: 1967Essay1 May 1968
- Xavier Herbert: *Capricornia*Essay1 October 1970
- Literary Nationalism and the 1890sEssay1 May 1971
- Jack LindsayEssay1 October 1983
- Asia, Europe and Australian Identity: The Novels of Christopher KochEssay1 May 1982
- Barbara Hanrahan’s NovelsEssay1 May 1983
- Catherine Martin, Writer: Her Life and IdeasEssay1 October 1987
- Shirley Hazzard: Transit and *The Bay of Noon*Essay1 October 1987
- Reopening the Case of Ada CambridgeEssay1 October 1987
- Grant Watson and the Aborigine: A Tragic Voice in an Age of OptimismEssay1 May 1975
- Price Warung: Some Bibliographical Details and a Checklist of the StoriesEssay1 October 1968
- Miles Franklin, *My Brilliant Career* and the Female TraditionEssay1 May 1980
- Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in EnglishEssay1 June 1991
- Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’Essay1 June 1991
- The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*Essay1 June 1991