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Michael Wilding’s Three Centres of Value

Australian Literary and Scholarly Publishing in Its International Context

Origin, Identity and the Body in David Malouf’s Fiction

The Artful Man: Theory and Authority in Brian Castro’s Fiction

Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*

‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous Melbourne

Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial Uncanny

Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*

Dorothy Hewett’s Faith in Doubt

Cold War, Home Front : Australian Women Writers and Artists in the 1950s

In His Own Sweet Time: Carmen’s Coming Out

*Geoffry Hamlyn* and Its Australian Setting

‘Talking with Yagan’s Head’: The Poetry of John Mateer

Mid-Victorian Reading and the Antipodes

Reading Kate Llewellyn’s Garden(Books)

C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval War

Future Tense: *Dead Europe* and Viral Anti-Semitism

Of Sages and Sybils: Alec Hope and Judith Wright

Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*

Tainted Testimony : The Khouri Affair