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Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933

Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and Letters

An Interview with Archie Weller

Worlds Apart? Finnish Translations of Australian Literature

An Absence of Partisanship

That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*

Transgressing Language?: The Poetry of Ania Walwicz

Michael Wilding’s Three Centres of Value

Australian Literary and Scholarly Publishing in Its International Context

Origin, Identity and the Body in David Malouf’s Fiction

The Artful Man: Theory and Authority in Brian Castro’s Fiction

Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*

‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous Melbourne

Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial Uncanny

Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*

Dorothy Hewett’s Faith in Doubt

Cold War, Home Front : Australian Women Writers and Artists in the 1950s

In His Own Sweet Time: Carmen’s Coming Out

*Geoffry Hamlyn* and Its Australian Setting