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- *Geoffry Hamlyn* and Its Australian SettingEssay1 June 1963
- C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval WarEssay1 May 2007
- ‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial DistancingEssay1 November 2008
- An Indian without a CountryEssay1 June 2009
- Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’Essay1 May 2007
- Judith Wright and Frank Scott: Gendering Modernist Networks in Australia and CanadaEssay1 October 2006
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*Essay1 October 2009
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 October 2009
- On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*Essay1 June 2012
- ‘To favourably impress the Oriental mind with western knowledge’: Xiaohai yuebao (The Child’s Paper, 1875-1915) and International Print CultureEssay1 October 2014
- Reading DickensEssay1 October 2014
- ‘A Reading People?’: Global Knowledge Networks and Two Australian Societies of the 1820sEssay1 October 2014
- Beyond Capricornia: Ambiguous Promise in Alexis WrightEssay1 May 2009
- Patrick White’s Studies for *Voss*Essay30 September 2022
- The Politics of English Studies in IndiaEssay1 June 2013
- Once We Were a Discipline: Stray Thoughts on EnglishEssay1 June 2013
- Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary NarrativesEssay1 June 2010
- ‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary LivesEssay1 October 2011
- ‘Tarrying with the Impossible’: *Daniel Stein, Interpreter* and the Politics of TranslationEssay1 October 2013