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‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short Stories

Christina Stead’s Earliest Publications

The Treatment of the Aborigine in Early Australian Fiction, 1840-70

The Dual Nature of Shaw Neilson’s Vision

Charles Harpur’s Disfiguring Origins: Allegory in Colonial Poetry

Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century Melbourne

‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian Masquerade

Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*

Society of Women Writers 1925-1935

‘In the Hollow of the Heart’: Dorothy Hewett’s Early Imaginative Life

Displaying the Monster: Patrick White, Sexuality, Celebrity

The Time of Biopolitics in the Settler Colony

Patrick White, Saul Bellow and the Problem of Literary Value

Words, Sticks and Stones: Keneally, Literature and Social Impact

‘The Other Seven Little Australians’: *The Man Who Loved Children* Reads Ethel Turner

The Asian Conspiracy: Deploying Voice/Deploying Story

Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius Barbeau

Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’

The Tennysons in Literary Adelaide

Constructing Cosmopolitanism, Promoting Humanitarianism: The Marvellous Melbourne of E.W. Cole in Lisa Lang’s *Utopian Man* (2010)