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Marcus Clarke: ‘Christianity is Dead’

Thoughts on Some Recent Poetry

Recoil from Disorder: David Ireland’s *The Chantic Bird*

Miles Franklin, *My Brilliant Career* and the Female Tradition

The One-Actor Play in Australian Drama

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in English

Hal Porter, *The Tower* and the Quintessence of Porterism

Sonnet Sequences in Australia (1832-1990): A Preliminary Checklist

Feral Symbolists: Robert Adamson, John Tranter, and the Response to Rimbaud

‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard Eldershaw

Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and Criticism

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933

Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and Letters

An Interview with Archie Weller

Worlds Apart? Finnish Translations of Australian Literature

An Absence of Partisanship

That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*

Transgressing Language?: The Poetry of Ania Walwicz