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From the Sudan to Saigon: A Critical Review of Historical Works

Anthologies and Orthodoxies

Drama’s Vitallest Expression: The Fiction of Olga Masters

Ripping Yarns, Ideology, and *Robbery Under Arms*

‘Interest’ in Les A. Murray

Centre of Fierceness: Francis Webb’s Vision of the Artist

Truth beyond the Language Game: The Poetry of Gwen Harwood

Annual Bibliography of Studies in Australian Literature: 1976

Marcus Clarke: ‘Christianity is Dead’

Thoughts on Some Recent Poetry

Recoil from Disorder: David Ireland’s *The Chantic Bird*

Miles Franklin, *My Brilliant Career* and the Female Tradition

The One-Actor Play in Australian Drama

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in English

Hal Porter, *The Tower* and the Quintessence of Porterism

Sonnet Sequences in Australia (1832-1990): A Preliminary Checklist

Feral Symbolists: Robert Adamson, John Tranter, and the Response to Rimbaud

‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard Eldershaw

Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and Criticism