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- Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational RhetoricEssay1 November 2009
- Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*Essay1 June 2009
- Review of *Catching Butterflies: Bringing Magical Realism to Ground*, by Maria TakolanderReview1 June 2009
- ‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin TrilogyEssay1 October 2006
- Burglary in Shady Hill and Sarsaparilla: The Politics of Conformity in White and CheeverEssay1 October 2006
- Review of *Henry Handel Richardson: A Life*, by Michael AcklandReview1 October 2006
- Review of *Creme de Ia Phlegm: Unforgettable Australian Reviews*, edited by Angela BennieReview1 October 2008
- Review of *Flashing Eyes and Floating Hair: A Reading of Gwen Harwood's Pseudonymous Poetry*, by Cassandra L. AthertonReview1 October 2008
- Review of *Thea Astley's Fictional Worlds*, edited by Susan Sheridan and Paul GenoniReview1 October 2008
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 October 2009
- Beyond Capricornia: Ambiguous Promise in Alexis WrightEssay1 May 2009
- Authors’ Statements [Peter Carey]Essay1 October 1981
- Review of *The Colonial Kangaroo Hunt* by Ken Gelder and Rachael WeaverReview30 April 2021
- Displaced Homelands in Gerald Murnane’s *Inland*Essay30 September 2021
- Writing Disability in Australia: Transmedial Potentials for Illness/Recovery NarrativesEssay23 May 2022
- Establishing an Australian/Caribbean Alliance: Stories Passed on by Penny van Toorn and Olive SeniorEssay1 November 2010
- The Return of the Fairy: Australian Medievalist Fantasy for the YoungEssay1 October 2011
- Local Moderns: The Jindyworobak Movement and Australian ModernismEssay1 May 2012
- Delight and Revolution: Literary Studies, Aesthetics and IdeologyEssay1 June 2013
- A Note on A.C.’s *Echoes* and Ada CambridgeEssay1 October 2012