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The Historical Basis of For the Term of His Natural Life

The Boer War: Paterson, Abbott, Brennan, Miles Franklin and Morant

‘A Depressed Amor’: Richardson’s ‘The Bathe: a Grotesque’

Charles Harpur’s Disfiguring Origins: Allegory in Colonial Poetry

Treating Dora in *His Natural Life*

Society of Women Writers 1925-1935

The Drowned World of Kenneth Slessor

The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic Omeros

‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. Norton

‘Phrases Between Us’: The Poetry of Anna Wickham

Remembering the War: Australian Novelists of the InterWar Years

The Literary Destruction of Canberra: Utopia, Apocalypse and the National Capital

Being Out of Time: Animal Gods in Contemporary Extinction Fictions

Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor Stravinsky

R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary Culture

‘Our Literary Connexion’: Rosa Praed and George Bentley

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*