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- *Geoffry Hamlyn* and Its Australian SettingEssay1 June 1963
- Singing up Country in the Poetry of Judith Wright and Pablo NerudaEssay1 November 2008
- Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*Essay1 June 2009
- Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*Essay1 October 2008
- Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*Essay1 October 2008
- Counter-PoeticsEssay1 June 2011
- A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. CoetzeeEssay1 June 2010
- Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient MusicEssay1 June 2014
- Thomas Keneally: A ChecklistEssay1 May 1979
- Fred J. Broomfield: Research Assistant ExtraordinaireEssay1 October 1980
- Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ PlayEssay1 May 1997
- **‘Ordinary Readers’ and Political Uses: Re-Examining Helen Garner’s Non-Fiction Writings about Filicide**Essay29 October 2020
- On Appropriation: Two Novels of Dark and Barnard EldershawEssay1 October 2002
- Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950Essay1 October 2005
- ‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of AnzacEssay1 November 2015
- Beatrice Davis and ‘The Sacredness of the Printed Word’Essay1 October 2012
- From the Harp of Erin to Erin of the Harp with Thomas KeneallyEssay30 May 2015
- The Evolution of George Johnston’s David MeredithEssay1 October 1983
- Here Beyond My KnowingEssay1 May 1985
- Review of *The Poetical Works of Charles Harpur', ed. Elizabeth PerkinsReview1 October 1984