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A Reconsideration of Christina Stead at Work: Fact into Fiction

The Fiction of Beverley Farmer

Imagined Counterpart: Outlining a Conceptual Literary Geography of Australia

Man, Work and Country: The Production of Henry Lawson

Helen Garner’s *Monkey Grip*: The Construction of an Author and Her Work

Michael Wilding’s Three Centres of Value

Colonial History and Post-Colonial Fiction : The Writing of Thea Astley

Ern Malley and His Rivals

The Artful Man: Theory and Authority in Brian Castro’s Fiction

‘Years Later’: Temporality and Closure in Peter Carey’s Novels

In His Own Sweet Time: Carmen’s Coming Out

Dying of Landscape: E.L. Grant Watson and the Australian Desert

Australian Literature: Points for Departure

Obscene and Over Here : National Sex and the Love Me Sailor Obscenity Trial

Mid-Victorian Reading and the Antipodes

‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*

‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*

Singing up Country in the Poetry of Judith Wright and Pablo Neruda

Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*

‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin Trilogy