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Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*

The Drama of the Separate Self in Rae Desmond Jones’ The Mad Vibe

Review by Craig Munro

H. G. Wells in Australia

‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930s

Revaluing Memoir and Rebuilding Mothership in Maggie Nelson’s *The Argonauts*

Review of *Literary Australia* by Clement Semmler and Derek Whitelock

Charles Rowcroft: An Unpublished Memoir

Review of *Twentieth Century Australian Literary Criticism*, edited by Clement Semmler

The Sources of *His Natural Life*

Notes on A.D. Hope: A Bibliography (1968)

Review of *A Study of Christopher Brennan's The Forest of Night* by A.R. Chisholm; and *The Letters of Hugh McCrae* selected by Robert D. Fitzgerald

Review of *The Passing Guest: A Life of Henry Kingsley* by J.S.D. Mellick

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Proserpina and Pluto, Ariadne and Bacchus: Myth in Patrick White’s ‘Dead Roses’

The Australian Bush-Woman

Ezra Pound, Frederic Manning and James Griffyth Fairfax

Art as Reflection in Jessica Anderson’s *Tirra Lirra by the River*

The Public Image of John Shaw Neilson

A Lost Satire on the 1890s *Bulletin* Writers and Bohemians