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The Traditionalism of James McAuley

God’s Sublime Order in Harpur’s ‘The Creek of the Four Graves’

Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*

War Correspondents in Australian Literature: An Outline

From Pleasure Domes to Bark Huts: Architectural Metaphors in Recent Australian Fiction

Catherine Martin, Writer: Her Life and Ideas

‘White Ravens’ in a World of Violence: German Connections in Thomas Keneally’s Fiction

Reopening the Case of Ada Cambridge

Nude Bathing Scenes as an Australian Pastoral Mode: Strategies and Tactics in Australian Art around the Turn of the Twentieth Century

Price Warung: Some Bibliographical Details and a Checklist of the Stories

Some Mary Gilmore Letters

Narrative Perspective and Cultural History in *Robbery Under Arms*

The One-Actor Play in Australian Drama

The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*

Hal Porter, *The Tower* and the Quintessence of Porterism

Sonnet Sequences in Australia (1832-1990): A Preliminary Checklist

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934

An Interview with Archie Weller

Still Life: Art and Nature in Vivian Smith’s Poetry