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- Cultural Pathology: What Ern Malley MeansEssay1 May 1995
- Anzac, Literary Genre and MemoryEssay1 October 1996
- Performance for the PeopleEssay1 November 1994
- *The Scent of Eucalyptus*: Gothic AutobiographyEssay1 May 1990
- ‘Greetings to the Angry Penguins’: Ern Malley, Harry Roskolenko and USA ConnectionsEssay1 May 1996
- **Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**Essay29 October 2020
- Spatialised Time and Circular Time: A Note on Time in the Work of Gerald Murnane and Jorge-Luis BorgesEssay1 October 1997
- An Interview with Thomas ShapcottEssay1 May 1997
- Much Ado about Everything: The Melbourne Shakespeare Society 1884-1904Essay1 May 2000
- A Paperback Canon: The Australian Pocket LibraryEssay1 May 2000
- Reading *My Brilliant Career*Essay1 October 2002
- The Suburban Problem of EvilEssay1 November 1998
- ‘Death and the Woman’ : Looking at Francis Webb’s ‘Lament for St Maria Goretti’Essay1 May 2004
- Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial RecastingEssay1 May 2005
- Becoming Native: Australian Novelists and the New Zealand WarsEssay1 May 2006
- Fold in the Map: Figuring Modernity in Gail Jones’s *Dreams of Speaking* and Elizabeth Knox’s *Dreamhunter*Essay1 October 2007
- Translating *Fredy Neptune*: Interview with Thomas EichhornEssay1 May 2005
- Bottling the Forbidden Fruit: Marion Halligan’s FictionEssay1 October 2008
- Jolley’s WomenEssay1 May 2009
- Editing ALS: A MemoirEssay1 June 2013