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Inner Voices and the First Coil

Ecopastoralism: Settler Colonial Pastoral Imaginary in the US West and Australian Outback

Colonialism, Racial Violence and Loss: *The Chant of Jimmie Blacksmith* and *The Roving Party*

Aboriginality in *Ethel Turner’s Seven Little Australians* and Its Translation into German

‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*

The Surrender to Truth in The Early Australian Novel

*The Young Cosima*

‘Colonial Literature for Colonial Readers!’

Australian Prose Literature of the First World War : A Survey

Australian Short Fiction from *While the Billy Boils* to *The Everlasting Secret Family*

War in Post-1960s Fiction: Johnston, Stow, McDonald, Malouf and Les Murray

‘Preserving the White Race’: Some Australian Women’s Literary Responses to the Great War

God’s Sublime Order in Harpur’s ‘The Creek of the Four Graves’

My Unilateral Debate: Katharine Susannah Prichard, Rebel Heroes and Matters Pertaining

Anthologies and Orthodoxies

Biography and Fiction : George Johnston’s Meredith Trilogy and Garry Kinane’s Biography

‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940s

‘White Ravens’ in a World of Violence: German Connections in Thomas Keneally’s Fiction

‘Interest’ in Les A. Murray

Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*