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- Brereton, the *Bulletin*, and A.G. StephensEssay1 June 1963
- Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary HistoryEssay1 October 2004
- C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval WarEssay1 May 2007
- The Telling of Marmel’s StoryEssay1 June 2009
- Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*Essay1 June 2009
- An Indian without a CountryEssay1 June 2009
- ‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern ReaderEssay1 May 2006
- The Modernist Sacred: Randolph Stow and Patrick WhiteEssay1 October 2007
- The Eco-Humanities as Literature: A New Genre?Essay1 October 2008
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- Friendship in a Time of LonelinessEssay1 May 2009
- You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*Essay1 June 2010
- *The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s PoetryEssay1 May 2011
- Humanitarian Sex: Biopolitics, Ethics, and Aid Worker MemoirEssay1 June 2011
- Reading EnglishEssay1 June 2013
- Reading DickensEssay1 October 2014
- Establishing an Australian/Caribbean Alliance: Stories Passed on by Penny van Toorn and Olive SeniorEssay1 November 2010
- ‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*Essay1 May 2011
- Local Moderns: The Jindyworobak Movement and Australian ModernismEssay1 May 2012
- The ‘Hollowness’ of English? A Case for NarratologyEssay1 June 2013