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Literary Criticism in Australia: A Change of Critical Paradigms?

Australian Invention of Chinese Invasion: A Century of Paranoia, 1888-1988

Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*

‘Touches of Nature that Make the Whole World Kin’: Furphy, Race and Anxiety

Good Readers and Good Citizens: Literature, Media and the Nation

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

*Fredy Neptune*: Metonymy and the Incarnate Preposition

‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic Omeros

The Age of Appreciation: Reading and Teaching Classic Literature in Australia in the Early Twentieth Century

Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. Norton

Displaying the Monster: Patrick White, Sexuality, Celebrity

Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950

‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s Fiction

The Literary Destruction of Canberra: Utopia, Apocalypse and the National Capital

Manifesting Literary Feminisms: Nexus and Faultlines

Patrick White, Saul Bellow and the Problem of Literary Value

Indigenous Literature and the Extractive Industries

What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*

‘The Other Seven Little Australians’: *The Man Who Loved Children* Reads Ethel Turner

Henry Kendall’s Twofold Life: Sin, Shame and the Experience of Colonial Poetry