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- Apollo in George StreetEssay1 October 1986
- Review of *Big-Noting: The Heroic Theme in Australian War Writing* by Robin Gerster, and *Frank Honywood, Private: A Personal Record of the 1914-1918 War, by Eric Patridge, introduced and annotated by Geoffrey SerleReview1 May 1989
- Is There No End to Travelling? Paul Carter in the Linguistic No-Man’s-LandEssay1 May 1995
- A Pastoral Reading of Christina Stead’s *Cotters’ England*Essay30 June 2015
- Wildness and Wilderness: Anti-pastoralism and the Problematic Politics of Edward AbbeyEssay30 June 2015
- Marcus Clarke’s LibraryEssay1 October 1976
- Voyage and Kaleidoscope in George Johnston’s TrilogyEssay1 October 1973
- ‘Oh, Vaunted Queensland!’: A Literary Interpretation, 1862-69Essay1 October 1973
- A.D. Hope’s ‘The Double Looking Glass’: A ReadingReview1 October 1974
- The Design of ‘For the Term of His Natural Life’Essay1 October 1974
- John TranterEssay1 October 1977
- The Palmer Abridgement of ‘Such is Life’Essay1 October 1978
- Poetry into Life, Life into Poetry: Judith Wright and the AcademyEssay1 May 1979
- Country Poetry and Town Poetry: A DebateEssay1 May 1979
- Australian Poems on European PaintingsEssay1 June 1991
- Gambling on Reality: A Reading of Peter Carey’s *Oscar and Lucinda*Essay1 June 1991
- Re-Writing Woman: Genre Politics and Female Identity in Kate Grenville’s *Dreamhouse*Essay1 May 1993
- Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*Essay29 October 2020
- ‘By What Sign / Are You Walking?’: The Poetry of Judith RodriguezEssay1 October 1997
- ‘Hearts of Gold and a Happy Ending’: The Appeal of *The Harp in the South*Essay1 May 1990