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Obscene and Over Here : National Sex and the Love Me Sailor Obscenity Trial

Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century Australia

Mid-Victorian Reading and the Antipodes

Future Tense: *Dead Europe* and Viral Anti-Semitism

Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*

Humanitarian Sex: Biopolitics, Ethics, and Aid Worker Memoir

Reading Dickens

The ‘Hollowness’ of English? A Case for Narratology

Grievous Music: Randolph Stow’s Middle Ages

After Libertarianism: An Interview with Michael Wilding

The Australian Home-Front Novel of the Second World War: Genre, Gender and Region

Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and Aesthetics

Remembering the War: Australian Novelists of the InterWar Years

Gender Buttons

‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of Anzac

Strange in the Cold Blue Light: Sensation and Science in the *Australian Journal*

Toward Worlding Settler Texts: Tracking the Uses of Miles Franklin’s *My Brilliant Career* through the Curriculum

The Ends of Empire: Australian Steampunk and the Reimagining of Euro-Modernity

The Redemptive Theme in *His Natural Life*

Official Criticism? Critical Practices and Australian Poetry