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Australian Prose Literature of the First World War : A Survey

Australian Short Fiction from *While the Billy Boils* to *The Everlasting Secret Family*

War in Post-1960s Fiction: Johnston, Stow, McDonald, Malouf and Les Murray

‘Preserving the White Race’: Some Australian Women’s Literary Responses to the Great War

God’s Sublime Order in Harpur’s ‘The Creek of the Four Graves’

My Unilateral Debate: Katharine Susannah Prichard, Rebel Heroes and Matters Pertaining

Anthologies and Orthodoxies

Biography and Fiction : George Johnston’s Meredith Trilogy and Garry Kinane’s Biography

‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940s

‘White Ravens’ in a World of Violence: German Connections in Thomas Keneally’s Fiction

‘Interest’ in Les A. Murray

Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*

*Ralph Rashleigh*: A Convict Dream

Gentlefolk Errant: The Family Writings of Martin Boyd

The Bridled Pegaroo, or, Is there a Colonial Poetics of Intertextuality

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in English

Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*

Lesbia Harford’s Homefront Warrior and Women’s World War I Writing

A Bellyful of Bali: Travel, Writing and Australia/Asia Relationships