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- James McAuley’s New Guinea : Colonialism, Modernity and SuburbiaEssay1 November 1998
- The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*Essay1 May 2003
- Good Readers and Good Citizens: Literature, Media and the NationEssay1 October 1999
- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004
- A Ghost Story in Two Part : Charles Dickens, Peter Carey, and Avenging PhantomsEssay1 October 2004
- In the Beginning: David Malouf’s *An Imaginary Life*Essay1 October 2005
- Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950Essay1 October 2005
- ‘Phrases Between Us’: The Poetry of Anna WickhamEssay1 October 2005
- ‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s FictionEssay1 October 2006
- Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*Essay1 November 2010
- Words, Sticks and Stones: Keneally, Literature and Social ImpactEssay1 November 2013
- Honour the Single Soul: Homage to Randolph Stow (1936-2010)Essay1 May 2011
- Composing *Rayuela*: The Musical Element in Julio Corrazar’s NarrativeEssay1 June 2014
- Coetzee’s WomanizingEssay25 February 2018
- New Directions in Australian Literary Studies?: A Preliminary Discussion in Three ArticlesEssay1 October 1999
- Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*Essay30 September 2022
- Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’Essay30 September 2022
- ‘It’s Best to Leave This Constructive Ambiguity in Place!’: The Evaluation of Research in Literary StudiesEssay30 October 2023
- Simon During, Crisis Talk and the Legacies of the 1980sEssay30 October 2023
- Bruce Dawe and the AmericansEssay1 October 1979