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Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with Joyce

Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels

Economies of Childhood in Nineteenth-Century Australia: Catherine Helen Spence’s Short Fiction for Children

New Directions in Australian Literary Studies?: A Preliminary Discussion in Three Articles

**The Commercial Function of Historical Book Reviews: An Interrogation of the Angus & Robertson Archives**

‘Nearly all deep fertile soil’: Les Murray, His Son and Autism

Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*

‘Doomed shapely ersatz thought’: Francis Webb, *Ward Two* and the Language of Schizophrenia

Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences Frontier

One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983

‘A Message to Humanity on Behalf of the Adult Deaf’: The Protest Writing of John Patrick Bourke

Picturising Patois in *The Sentimental Bloke*

Annual Bibliography of Studies in Australian Literature: 1985

Annual Bibliography of Studies in Australian Literature: 1986

Annual Bibliography of Studies in Australian Literature: 1992

Visions of Western Sydney in Howard’s Australia: Luke Carman’s *An Elegant Young Man*, Peter Polites’s *Down the Hume* and Michael Mohammed Ahmad’s *The Lebs*

Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*

Literary Aspiration and the Papers of William Gosse Hay

‘Having Fun with the Professors’: Gwen Harwood and Doctor Eisenbart

‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp Modernism