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Good Readers and Good Citizens: Literature, Media and the Nation

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

Helping Yourself: Marlo Morgan and the Fabrication of Indigenous Wisdom

Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and Aesthetics

Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of Remembering

Bodies that Speak: Mediating Female Embodiment in Tim Winton’s Fiction

Australian Gothic: Theatre and the Northern Turn

Ideas about the Thing, Not the Thing Itself: Impact and Other Abstractions and the Politics of Research Performance Measurement

Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor Stravinsky

Literary Aspiration and the Papers of William Gosse Hay

‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp Modernism

Who Gets to Survive the Apocalypse? Disability Hierarchy in Post-Disaster Fiction in Australian YA

Irish Protestant Colonialism and Educational Ideology in Australia:** **Hannah Boyd’s *Letters on Education* (1848)

Caesura and the Deforming Poem: Rupture as a Space for the Other

Walter Murdoch : ‘A Humble Protest’?

Australian Literary Studies in the 1940s: The Commonwealth Literary Fund Lectures

One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983

Louis Stone’s ‘Jonah’ : A Cinematic Novel

Henry Kingsley: *Ravenshoe*

Literary Nationalism and the 1890s