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- ‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s FictionEssay1 October 2006
- Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*Essay1 November 2010
- Words, Sticks and Stones: Keneally, Literature and Social ImpactEssay1 November 2013
- Honour the Single Soul: Homage to Randolph Stow (1936-2010)Essay1 May 2011
- Composing *Rayuela*: The Musical Element in Julio Corrazar’s NarrativeEssay1 June 2014
- Coetzee’s WomanizingEssay25 February 2018
- New Directions in Australian Literary Studies?: A Preliminary Discussion in Three ArticlesEssay1 October 1999
- Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*Essay30 September 2022
- Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’Essay30 September 2022
- ‘It’s Best to Leave This Constructive Ambiguity in Place!’: The Evaluation of Research in Literary StudiesEssay30 October 2023
- Simon During, Crisis Talk and the Legacies of the 1980sEssay30 October 2023
- Bruce Dawe and the AmericansEssay1 October 1979
- Inner Voices and the First CoilEssay1 October 1979
- Ecopastoralism: Settler Colonial Pastoral Imaginary in the US West and Australian OutbackEssay30 June 2015
- Colonialism, Racial Violence and Loss: *The Chant of Jimmie Blacksmith* and *The Roving Party*Essay30 May 2015
- Aboriginality in *Ethel Turner’s Seven Little Australians* and Its Translation into GermanEssay1 November 2015
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- The Surrender to Truth in The Early Australian NovelEssay1 December 1965
- *The Young Cosima*Essay1 May 1970
- ‘Colonial Literature for Colonial Readers!’Essay1 October 1971