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Alan Seymour

Last Flight to Byzantium: *Memoirs of Many in One*

‘Savage Paradise’: History, Violence and the Family in Some Recent Australian Fiction

The Use of Names and Colours in Randolph Stow’s *Tourmaline*

Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in English

The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*

Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*

Poetry and Politics in Oodgeroo: Transcending the Difference

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

Un-Australian Activities?: Mary Gilmore’s Versions from the Spanish

Worlds Apart? Finnish Translations of Australian Literature

Dramatising the Self: Beverley Farmer’s Fiction

An Absence of Partisanship

‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul Solanges

Origin, Identity and the Body in David Malouf’s Fiction

My Brilliant Career and 1890s Goulburn

Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*

Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial Uncanny

Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ Fiction

‘Years Later’: Temporality and Closure in Peter Carey’s Novels